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A significant obscurity lies in the new relation between politics and production in the society which is not only democratic but also neoliberal capitalist. Therefore, physical public space and live performance are not current social paradigms. On the other hand, in today's neoliberal society, politics has been immersed in capitalist production, which is post-Fordist and post-industrial. Therefore, we can say that performance today functions rather as a model of production. It does not mean that it is because of that apolitical, but that its politicality is now indirect and dubious, operating as 'the political unconscious' Jameson. A particular commitment of hers has been to empower independent scenes in Belgrade and former Yugoslavia.

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